All John Constable Oil Paintings
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John Constable Hampstead Heath,sun setting over Harrow 12 September 1821 oil painting


Hampstead Heath,sun setting over Harrow 12 September 1821
Painting ID::  33136 		Artist: John Constable
Painting: Hampstead Heath,sun setting over Harrow 12 September 1821
Introduction: mk82 oil on paper laid on board 24.7x30.5cm
   
   
     

 

 

 
 

 

 

 
John Constable Cloud study,horizon of trees 27 September 1821 oil painting


Cloud study,horizon of trees 27 September 1821
Painting ID::  33137 		Artist: John Constable
Painting: Cloud study,horizon of trees 27 September 1821
Introduction: mk82 oil on paper laid on board 25.8x30.5cm
   
   
     

 

 

 
 

 

 

 
John Constable Road to the The Spaniards,Hampstead 2(9)July 1822 oil painting


Road to the The Spaniards,Hampstead 2(9)July 1822
Painting ID::  33138 		Artist: John Constable
Painting: Road to the The Spaniards,Hampstead 2(9)July 1822
Introduction: mk82 oil on paper laid on canvas 30.8x51.1
   
   
     

 

 

 
 

 

 

 
John Constable A View at Hampstead Evening 31 july 1822 oil painting


A View at Hampstead Evening 31 july 1822
Painting ID::  33139 		Artist: John Constable
Painting: A View at Hampstead Evening 31 july 1822
Introduction: mk82 oil on paper 16.5x29.8cm
   
   
     

 

 

 
 

 

 

 
John Constable Cloud Study evening 31 August 182 oil painting


Cloud Study evening 31 August 182
Painting ID::  33140 		Artist: John Constable
Painting: Cloud Study evening 31 August 182
Introduction: mk82 oil on paper 47x58
   
   
     

 

 

 
 

 

 

 
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     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | SACCHI, Andrea | VIGNON, Claude | Hugh Bolton Jones | Ciudad de la Pintura | Ludwik de Laveaux |

 

 

 
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